Noah Post

Post’s recent body of work is divided into two formats: colored pencil drawings on paper, and larger plaster and acrylic works on masonite or aluminum panels.  Both represent the exploration of line and space invoked by the mysterious interactions of time, reaction and memory. The result is a visual history of “stripping-down” a complex problem.

The artist’s paintings create a sense of tension for the viewer as the layers of plaster intermingle with the harsh line work. By overlapping and interlaying sheer layers of paint and stained plaster the viewer loses an understanding of which color comes first. Rather than delineating between foreground and background the work displays a relationship between drawn borders and the landscapes within them.

Noah lives and works in New York City.

 
 

In Stiches, Plaster, acrylic, ink on aluminum, 50 x 36 inches

 
 
 

Safe Harbor, Plaster, acrylic, graphite, and ink on aluminum panels, 64 x 80 inches

 
 
 

Wait In The Wings, Plaster, acrylic, graphite, and ink on aluminum panels, 64 x 80 inches

 
 
 

Sack the Juggler, Plaster, acrylic, graphite and ink on aluminum panel, 34 x 32 inches

 
 

Takeoff, Plaster, acrylic, ink on panel, 46 x 72 inches, SOLD

 
 

Crown Shyness, Plaster, acrylic, graphite and Ink on aluminum, 60 x 35 inches

 
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